The babadook gay
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Why this monster specifically? In an age where coming out is still tough and the notion of suppressed identities and mental health issues are still strife within the community, the brief skeleton of the Babadook story — like many a ‘tortured soul’ storyline — may be considered a little too close to home for a community where more than half of LGBT pupils have experienced direct bullying and where gay men are three times more likely than heterosexual men to suffer from depression.
Eastwood isn’t the only person to focus on the similarities as a takeaway from the movie.
I think it’s crazy and just kept him alive. The name is catchy, its design is simple yet striking, taking a lot of inspiration fromLon Chaney'sThe Man in the Beaver Hat in London After Midnight. Its vessel being a Cabinet of Dr. Caligari-looking pop-up book was something that hadn't been seen before on screen, and gave us the new "1, 2, Freddy's coming for you." On top of all that, he's also a modern queer icon.
The 2014 psychological horror film was written and directed by Jennifer Kent. Among fan culture, the lore about The Babadookas an LGBTQ+ icon goes deep, with some people even creating a scenario wherein the titular character is in a gay relationship with It's Pennywise.
The Babadook Deserves A Rewatch
You Will Have The Opportunity Soon.
A debate, it should be noted, that continues today.
The arguments for The Babadook’s queerness
While the original Tumblr post was intended to be funny, many writers and professors have pointed out that The Babadook’s underlying themes could be seen as resonating with the gay community.
Dean Eastwood, founder of the men’s gay lifestyle magazine HISKIND, wrote about the similarities between the Babadook’s troubling history and what many men go through when they’re dealing with coming to terms with their own sexuality, eventually coming out.
As the story goes, at the end of 2016, someone was scrolling through the genre categories on Netflix and found that The Babadook was placed in LGBT Movies. Fukasaku’s presentation of violence would go on to define and be reinterpreted by Asian crime cinema at large after it.
The directing of Kinji Fukasaku, and his son Kenta who wrote the screenplay as well as aided in directing the cast, is what makes the movie work so well.
I love hearing drag queens talking about The Babadook.
The year 2000 would see his adaptation of the alternate history horror novel Battle Royale, by author Koushun Takami. “He lives in a basement, he’s weird and flamboyant, he’s living adjacently to a single mother in this kind of queer kinship structure.” It's important to note that, as an embodiment of grief, Mr.
Babadook isn't entirely killed off.
They pit a class of teenagers against each other in a death game involving explosive collars and random weapons, a game that can only have one winner. It’s available for rental or purchase on Vudu, Amazon, and other digital platforms. But the fact that people can resonate with the story and the theme of the film’s mysterious monster isn’t a bad thing.
Politicians blamed the film directly for violent crime as fervor around the film rose. Sometimes that's just what it's like when one comes out to a less-than-accepting family, for example. The official Netflix Twitter would soon run with it either way. Many algorithms as big as Netflix's are destined to get a little confused, but this could just as easily be a Photoshop job from another user.
In bleak times, and worse political states, Battle Royale still stands as not just a fantastic film, but one that understands and sings of that inescapable and unkillable sense of hope. And the only ones who really pay that debt of blood and soul are its people, not its leaders, who decided the cost for them.
From Yakuza Cinema to Youth Violence Commentary
This trend would continue into his much more popular films, the aforementioned BattleWithout series and its New Battle continuations.